The hotel as a monument materializes the Almanac’s ambition, it is an international site for ideas and exchange. It is where histories blend and cultural distances collapse, exposing adaptive differences and native similarities.
The hotel room is a site of dual qualities. Associated with exploration and cultural voyages, the room is simultaneously alien and isolating, almost claustrophobic at times. habitat appropriates the room as the heightened experience of the day-to-day life of an artist employing the constrains as method; cornered by the costs of material, space, even time – here is where he, the resilient contemporary artist, has to habitat.
The program is bound by time and space. habitat explores, without examining, creation under heightened financial and timely pressure by limiting the artist’s site of production to the hotel room — his home — for the duration of the residency. The room functions as site for living, working, and being, appropriating constrains as methodology.
During the stay, the artist-in-residence is obliged to host at least one open-access event (“exhibition”) by the end of their tenure.
The gatherings become alternative micro-educations where knowledge is shared, and solidarity may be born. By placing cultural practice inside its infrastructure, the hotel’s exchange value is leveraged beyond its use value — it becomes a site of cultural activity, exchange and learning. It becomes the Almanac.
Discover the program.
