Reba Maybury (b.1990) is a British-Pakistani artist, educator, and, as Mistress Rebecca, a dominitrix. Through her submissives, the Mistress destabilizes segregation, stigmatization, and sex, thereby disclosing and dissolving the premises of society.
Marie Karlberg (b.1985) is a Swedish performance artist and curator. Through satire, Karlberg parodies social conditions and investigates the concealed contracts beneath the so-called liberal order.
Gili Tal (b.1983) is an Israeli conceptual artist who works in London. Through her work, Tal takes authority of the cosmopolitan landscape by employing it as both her method and tool, examining its potential on her capacity to roam free, both off or on-screen.
Luzie Meyer (b.1990) is a German writer who uses language as she produces videos, films, photography, and performances. Meyer’s work set out to orientate towards disorientation, time and again.
Karl Holmqvist (b.1964) is a Swedish poet. His literal, visual, musical, hallucinational, skitsofrenical, pastiching of sampled fragments makes magic.
Marie Cool (b.1961, France) and Fabio Balducci (b.1964, Italy) have been working together since 1995. Their practice reproduces actions on everyday objects and materials in extremely elemental form to reconstruct time and space.
Gregor Schneider (b.1969) is a German artist who works with forms of existence that escape perception. Since the 1990s, the artist has placed the idea of the unknown in and in-between walls, rooms, and dead ends. Schneider’s fascination, complete obsession, with asphyxiation rooms has made his practice an art genre of its own.
Bruno Zhu (b.1991) is a Chinese artist who “works, reads and shops.” His parents arrived as immigrants in Portugal in the 1980s and run a clothing and home goods store located on the outskirts of Visue named A Maior. Since 2016, the artist has placed an eponymous exhibition program within the shopping environment.
Goldin+Senneby (b.2004) is a Swedish artistic subject between Simon Goldin and Jakob Senneby. Their work, oftentimes created in collaboration with field experts, is located in the (il)logical conclusions between conceptual art and finance capital and manifests in Zero Magic, Eternal Employment, or detective novels.
Lauren Burn-Coady (b.) is a Canadian artist who demonstrates mimesis’ transformative potential as a genetically de-alienating force.
Jutta Koether (b.1958) is a transversal creative whose practice as an artist also spans music and criticism. She incorporates sound and performance into her abstract paintings, approaching the canvas, her art, and indeed her life – punk.
Gretchen Lawrence (b.1998) and Coumba Samba (b.2000) were roomies and are it-girls.
Jacob Jiayij Zhang is an artist who had a show called Masculine Glory. He also talks about his work as a restating of the image to an intimidating scale. Other than that, Zhang plans to continue keeping his secret hidden from the outside, in order to avoid making his recipients fellow conspirators.
Isabel Mallet (b.1989) is an American artist who rejects the idea of the artist as an author. Mallet’s main medium is sculpture, and she approaches the practice as the un-building of architecture which is the experience of space as the building process.
Keren Cytter (b.1977) is an Israeli writer and visual artist who, according to her student, does not like to share, and, according to herself, studied art to move to New York to do the dishes. According to an unknown audience, Cytter’s films are idiosyncratic hybrids between seemingly incompatible genres.
Reece York is a artist whose visual work is installed to flesh out the semi-counscious mechanics of material society. He makes to eat or eat to make.
Wolfgang Breuer (b.1966) is a German visual artist. Breuer proposed a replacement for an iPhone app that would enable to time-scale pitch of the music played in a car according to its acceleration/declaration, which nobody wanted. He studies industrial and graphic design to navigate its monogamous relation to fine arts.
Constance Debré (b. 1983) is a French writer and artist whose work challenges societal norms around identity, sexuality, and power. With raw, provocative prose, Debré explores the complexities of “womanhood,” desire, and liberation, offering a fierce critique of societal constraints and the fragmentation of self.
Ksenia Pedan (b.1986) is a Ukrainian artist primarily working in sculpture and installation. Pedan’s work questions the negotiation placed between art’s existential contra entertainment value, once placed within the standardized spaces that ordinary has to act hostes to it.
Karl Holmqvist
